about Benjamin

Benjamin

Photographer
Benjamin

He is an unstoppable force of joy and creativity, an artist to his core; a problem solver, encourager, and calming force all in one. Ever since his first roll of film was developed in high school, Benjamin knew that photography was his calling and the perfect place for all of his talents. Persisting through long hours, crafting deep relational meaning, and building photographs that speak to your heart through your eyes are all second nature to his relentless pursuit of serving others with his craft.

Benjamin

It sounds like this is always what you’ve wanted to do. What about this work drew you in?

Well, that’s a little bit of an impossible question to answer because the truth is, while photography is my craft, everything that fulfills me in this work is personal and relational. The technical aspects of photography were, without a doubt, the hook that drew me in. Technology and science both digitally and in a traditional darkroom (side note, if you ever get a chance to watch a print get developed with chemicals, do it… it’s magical) are an endless puzzle of creative possibilities. The rabbit hole kept going deeper and deeper until I realized that beyond the technical aspects of photography there is a whole universe of relational intricacy that can use a camera as a gateway to caring about what you’re doing and who you’re doing it for. About the same time as I started dating my now wife and business partner Jennifer, I realized that weddings were awesome and wedding photographers had a unique opportunity to invest on a personal level with their clients. That’s when I knew that this was it. This was what I wanted to be doing. From there, I have been continually drawn in by the perpetually complex natures of love, joy, peace, kindness, heritage, and relationship. My understanding of life and love continues to deepen and I find myself on a never ending journey of grasping to create two dimensional versions of life’s beautiful moments of heart and soul.

Everybody likes an origin story, tell us about your first camera.

Truth be told, my first camera wasn’t mine, it was my dad’s. His AE-1 with a 50 mm 1.8 lens, tales of his FTb, and unending encouragement were all gifts to me, investments in my photographic journey, long before I got my first camera. I was given a camera by a very kind neighbor after a while but that was never mine either. My first camera still sits on my shelf today and gets used frequently. Purchased at a camera show in Detroit, my father and I settled on a 1971 Canon F-1 with my own accompanying 50mm 1.8 FD lens. It was beautiful. Crisp, clean, robust shutter sound, detachable prism, and most importantly a father’s pride to go with it. There aren’t many things that come with a life time guarantee any more, but the pride and encouragement I get from my dad is one of them. Guaranteed.

I understand that you are highly involved in the graphic design work of your brand. That’s pretty cool! What made you want to take that on?

My grandmother always said, “I like any color as long as it’s yellow.” Similarly, I believe that if you want something custom to fit within certain boundaries, you should be more specific with your boundaries. The Derk’s Works brand isn’t just about the color and the font, it’s a face and body to how much we care about each detail, both big and small in the work that we do.  To me, graphic design has always been the slow-mo version of photography (like Neo dodging bullets in the Matrix or something). A lot of our photographic style follows action and forces me to compose an image in split-seconds. Design on the other hand is a process that can take hours or days for one final piece. Honing this cross discipline was a specific choice with the intent to better my photography learning to make better compositional decisions faster. I think any artist should spend some time in another discipline, it develops your voice in ways that one focused path never could. That said, we have had LOTS of help and contributions for very talented designers to get the brand to where it is now… but I still get my design kicks in where I can.

Other than graphic design, what outside influences help give you the unique artistic voice that you have?

Gratefully I have the joy of having my work steeped in the complexity of human emotion. I also believe that we (humans) were created to exist for and to thrive on deep relationship. This prism allows me to draw inspiration from the poetry of music and art, but more importantly and valuably, my art is informed and shaped by the relationship that I have with my wife Jennifer. Our story not only gives me insight into love but also the full development of a long marriage and the meaningful things that last and are worth cherishing. As time goes on, our children grow, and I learn new things that will only add to my understanding of how to make the best images to withstand the test of time.

With The Life Aquatic and Grand Budapest Hotel both in your top five favorite movies of all time, would it be safe to say that you are a fan of Wes Anderson?

Ha, yeah… you might say that ;) The fact that his dry sense of humor plays perfectly with Bill Murray’s modestly depressed deadpan comedy doesn’t hurt either. His stories are well crafted, every detail is set carefully in place meticulously timed to guide his viewers on an emotional journey that is deeper than the story at hand. I think that’s the big thing that I relate to when I watch his movies. My goal when photographing people, is to make images that encourage ideas that are deeper than visual. I’ve said it so much it seems a little cheesy at this point, but I want people to come away from my images feeling what it was like to be in a place, not just see what it looked like. But I suppose, coming back to your actual question… yes… I really love Wes Anderson’s movies…. a lot.

Obviously ice cream should be allowed into the food pyramid towards the base, but do you prefer it in a cone, sandwich or shake?

Well, OBVIOUSLY! While I like all of the above, I think my preference (without other factors, of course) would be shake, cone, sandwich in that order… or all of the above…. if that’s an option.

You shot your first wedding in 2003, how do you keep your focus fresh each wedding without falling into a check list mentality?

I guess the easy answer is to say that I don’t make check lists, but the complex truth is that the deeper I go into this business, art, and the lives of others, the more I find beautiful nuances to explore. I never have to worry about getting repetitive in this work because I always focus on the spectacular differences and unique elements of each couple I am privileged to serve. Weddings might have traditional elements, but the beauty of marriage is anything but predictable.

You seem wear a Tiger’s baseball hat a lot, what’s the story there?

You mean, other than “i’m going bald and like wearing hats? ;) Yes, actually. I grew up in Toledo, which is by many standards, mini-Detroit and home to the Mud Hens who are the farm team for the Tigers… all of these things are insularly to the fact that I’m not really a sports guy. I love baseball for heritage reasons just as much if not more than the sport. My great grandmother, my grandfather, and my father were/are all Tigers fans and I will stand in their shoes, listen on the radio, and cheer on my team rain or shine, win or loose as often as I can. I love an underdog story and they will be my underdogs until they finally make their comeback sometime in 2030… or so.

Follow Benjamin:

Ketu & Payal – PREVIEW

Charleston, WV – India Center / Embassy Suites

  1. QMB

    They’re beautiful. . Wow

  2. Debra Meyer

    These are amazing Benjamin! Just beautiful!

Spencer & Heather – TRAILER

  1. Qmb

    Fabulous, totally remarkable

Jesse & Ashleigh – PHOTOBOOTH

View, download and share all of the awesome PHOTOBOOTH images from their wedding HERE!

View, download and share all of the awesome PHOTOBOOTH images from their wedding HERE!

Jake & Katie – PREVIEW

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Columbus, Ohio – New Albany Country Club

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Bill & Kaki – PREVIEW

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Columbus, Ohio – Scioto Country Club

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Nate & Emily – PREVIEW

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FOUR REASONS FOR TWO PHOTOGRAPHERS

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Many people approach hiring their wedding photographer under the assumption that there is a strong “need” for two photographers without any consideration as to “why”. While I won’t deny that a properly executing second shooter can be invaluable and the result on a wedding day can be jaw dropping, HOWEVER, I also believe that allowing one person to get close – even closer than two people ever could – to the authentic and intimate emotionalism that surrounds you on your wedding day can be equally stunning.

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It is our strong recommendation to mentally start with solo photographer coverage and then assess the need of your wedding day for a second shooter. The recommendation to have two photographers should be done from a position of education and careful tailoring of coverage to your event. That said, I love occasions in which we have opportunity to shoot as a duo, and I thought it would be helpful to outline a few scenarios we would recommend considering a second shooter for some or all of your wedding day.

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Parallel Timeline

Often times the getting ready timeline will allow for a solo photographer overlap coverage. If the getting ready spaces for both of you are physically close together, it can work out very easily, with a little coordination, to have one photographer capture both getting ready experiences. However, there are also occasions in which the wedding day preparations must be done at the same time. Sometimes this is an issue of timetable, sometimes logistics, and sometimes physical distance. Whatever the case having the right team in place for your preparations is important. 

Detailed Details

If you have structured your wedding in a way that places heavy emphasis on an extraordinary quantity of details, it’s important to designate the appropriate amount of time to document those things. This is usually accomplished both during get ready times and throughout the cocktail hour before your guests are invited into your reception space. If those times are trimmed short or are anticipated to be more involved, it may be a good idea to allocate another photographer to make sure that those details are well documented. 

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To First Look or Not To First Look

Making the decision to have or not have a first look is very personal and I truly believe that it should be made independently of your photographic needs. If you’re on the fence about it please check out this article that I wrote on the subject. That said, if you opt out of a first look, there are some photographic ripple effects that can occur. One such ripple is compressing even more into the span of time between your ceremony and reception or your cocktail hour. If you want to attempt Family Formal Images, Bride and Groom Portraits, Detail Shots of the Reception Room, AND Cocktail Hour Candids into an hour or an hour and a half between ceremony and reception, we would strongly encourage a second photographer. While two of those things are achievable with one photographer, getting all four in such a short span of time is potentially unattainable. 

Freeze Tag at Church

Many Churches have some very well crafted rules, we don’t just abide by these rules, we agree with them. Weddings are meaningful, special, and quite frankly they are more important than the pictures we take of them. If a tree falls in the woods does it make a sound? Yes. If a wedding happens without photos is it still a stunningly beautiful and life altering moment in the life of two people? Yes. That said, it is always our goal to get amazing photos without being distracting, as such we usually fall right in line with church rules. Some churches have more strict rules that completely prohibit movement all together. We have often found that this is due to a photographer or videographer somewhere along the line failing to respect weddings, which is pretty tragic in and of itself but has understandable ripple effects. Though rare, if your ceremony venue is such a place, we recommend “zone defense.” Minimize movement by strategically placing another photographer in a complimentary place. 

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Often, the answer to the question of a second photographer comes down to how you’d like to allocate your time; how spread out or condensed you’d like various events to be. It is always our intention to have this discussion from a position of education and empowerment to you so that you get the best possible photography from your wedding day. We believe that this is a very custom discussion with very custom solutions. Let’s talk through your timeline and see what the best fit might be for you and your wedding. 

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Sam & Madison – ENGAGED

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  1. Madison

    Derk’s Works. Now they know how to capture a moment. So grateful for these special captured moments!

Jason & Cara – PREVIEW

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Pete & Megan – TRAILER